Everything about James Sowerby totally explained
James Sowerby (
March 21,
1757 -
October 25,
1822) was a
British naturalist and illustrator. Contributions to published works, such as
A Specimen of the Botany of New Holland or
English Botany, include his detailed and appealing plates. The use of vivid colour and accessible texts were intended to reach a widening audience in works of natural history.
Biography
James Sowerby was born in
London, his parents were named John and Arabella. Having decided to become a painter of flowers his first venture was with
William Curtis, whose
Flora Londinensis he illustrated.
Sowerby studied art at the
Royal Academy and took an apprenticeship with Richard Wright. He married Anne Brettingham De Carle and they were to have three sons:
James De Carle Sowerby (1787-1871),
George Brettingham Sowerby I (1788-1854) and
Charles Edward Sowerby (1795-1842), the
Sowerby family of naturalists. His sons and theirs were to contribute and continue the enormous volumes he was to begin and the Sowerby name was to remain associated with illustration of natural history.
An early commission for Sowerby was to lead to his prominence in the field when the botanist, L'Hértier de Brutelle invited Sowerby to provide the plates for his monograph,
Geranologia, and two later works. He also came to the notice of
William Curtis, who was undertaking a new type of publication. Early volumes of the first British botany journal,
The Botanical Magazine, contained seventy of his works.
In
1790, he began the first of several huge projects: a 36-volume work on the
botany of
England that was published over the next 24 years, contained 2592 hand-colored engravings and became known as
Sowerby's Botany. A enormous number of plants were to receive their formal publication, but the authority for these came from the unattributed text written by
James Edward Smith.
It was the inclusion of science in the form of
natural history, such as the thousands of botanical supplied by Smith or his own research, that distinguished Sowerby's art from early forms of
still life. This careful description of the subjects, drawing from specimens and research, was in contrast to the flower painting of the
Rococo period found illuminating the books and galleries of a select audience. Sowerby intended to reach an audience whose curosity for gardening and the natural world could be piqued by publishing the attractive and more affordable works. The appealing hand coloured engravings also became highly valued by researchers into the new fields of science. become the foundation of a
museum. The addition of a room at the rear of his residence, housing this collection, was to see visits from the president of the
Royal Society,
Joseph Banks, and
Charles Francis Greville who also lent to the informal institution. A much sought exhibit, one that was frequently chipped for samples, was the
Yorkshire meteorite; this was sighted and collected in 1795, the first recorded English meteorite.
Lasting Legacy
James' great grandson, the explorer and naturalist
Arthur de Carle Sowerby continued the family tradition, providing many specimens for the
British Museum and museums in
Shanghai and
Washington D.C.
Selected publications
James Sowerby produced a large corpus of work that appeared in many different publications and journals. Some of the works begun by the
paterfamilias of the Sowerby's was to be completed only by the generations that followed. His illustrations, publication and publishing concerns embraced many of the emergent fields of science. Besides the renowned botanical works, Sowerby produced extensive volumes on
mycology, conchology,
mineralogy and a seminal work on his
colour system. He also wrote an instruction called
A botanical drawing-book, or an easy introduction to drawing flowers according to nature.
- Florist's luxurians or the florist's delight, and;
- Sibthrop's Flora Graeca, 10 vols. 1806-40.
- Sowerby also supplied plates for Curtis's Flora Londinensis.
- English Botany or, Coloured Figures of British Plants, with their Essential Characters, Synonyms and Places of Growth, descriptions supplied by Sir James E. Smith, was issued as a part work over 23 years until its completion in 1813. This work was issued in 36 volumes with 2,592 hand-colored plates of British plants. He also published Exotic Botany in 1804.
- Smith's comprehensive work didn't include Kingdom Fungi, Sowerby set out to supplement English Botany with his own text and desciptions. Coloured figures of English fungi or mushrooms, 4 vols. both appeared between 1789 and 1791.
- A Specimen of the Botany of New Holland Written by James Edward Smith and illustrated by James Sowerby, it was published by Sowerby between 1793 and 1795, becoming the first monograph on the Flora of Australia. It was prefaced with the intention of meeting the general interest in, and propagation of, the flowering species of the new antipodean colonies, while also containing a Latin and botanical description of the sample. Sowerby's own hand coloured engravings, based upon original sketches and specimens brought to England, were both descriptive and striking in depiction.
- Mineral Conchology of Great Britain Digital version
- British Mineralogy: Or Coloured figures intended to elucidate the mineralogy of Great Britain (R. Taylor and co., London) was published as parts between 1802 and 1817.
- Exotic Mineralogy: Or Coloured Figures of Foreign Minerals, as a Supplement to British Mineralogy (1811), followed British Mineralogy and the scope was extended to include American specimens. Issued by subscription, the work ran to two volumes that comprised an incomplete 27 parts. Descriptions of rarities held in the 'mineral cabinets' of many notable collectors included 167 plates, brilliantly coloured by Sowerby and his family.
- A New Elucidation of Colours, Original Prismatic and Material: Showing Their Concordance in the Three Primitives, Yellow, Red and Blue: and the Means of Producing, Measuring and Mixing Them: with some Observations on the Accuracy of Sir Isaac Newton, London 1809. This work, given in homage to Isaac Newton, was to establish the importance of 'light and dark' in colour theory. He presents a theory of colour being composed of three basic colours: red, yellow and blue. Yellow, or gamboge as he'd it, would become substituted by green in the later colour systems on which is what was based.
- Familiar Lessons on Mineralogy and Geology (digital version), and other publications by John Mawe.
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